#Carmen opera mn professional
#Carmen opera mn series

Upcoming seasons include the roles of Tosca and Mimì, as well as concert appearances throughout the United States. 2018-19 performances included concerts featuring the music of composer Jeremy Gill, Mimì in La bohème, guest soloist in the New York City Opera Pride Concert, as well as being a featured artist at the 2019 Festival of Nature at Lake Tizsa in Hungary. 2019-2020 calendar opened with a featured soloist appearance on the 75th Anniversary Concert for New York City Opera followed by additional performances as Mimì in La bohème with MidAtlantic Opera, a guest soloist appearance with the Mid-Atlantic Symphony Orchestra as well as several additional concert appearances with New York City Opera. Praised by the New York Times for her “bright, sizable and expressive voice,” Kristin Sampson’s 2020-2022 engagements include a debut with Opera Grand Rapids as Liù in Turandot, a role debut as Marguerite in Faust with the Washington Opera Society, and summer concert performances with New York City Opera, and Festival of Nature at Lake Tizsa in Hungary. Horstmayer in Silent Night (MN Opera) Lionel in Tchaikovsky's Maid of Orleans (New Orleans Opera) Aaron Greenspan in Ricky Ian Gordon's Morning Star (On Site Opera), Lassiter in the world premier of Riders of the Purple Sage (Arizona Opera), Demetrius in A Midsummer Night's Dream (Hawaii Opera Theater), and the title role of Macbeth (Opera Company of Middlebury). Additional credits include the title role of Rigoletto (Houston Grand Opera, Arizona Opera, Sacramento Opera) Lt.

#Carmen opera mn series

An avid proponent of contemporary opera, Josh workshopped pieces with NYCO over the years through their previous 'VOX Series for New Works,” and recently workshopped several roles in Ted Rosenthal's Dear Erich, which debuted with the company in 2019. Debuting with the company 11 years ago, Josh has appeared with NYCO across various musical genres, from musical theater in Lucky To Be Me: The Music of Leonard Bernstein, and the more pop style of Who Are You NY: Songs of Rufus Wainwright, to the operatic diversity of La Périchole (Offenbach), Cosi fan tutte (Mozart), and Anna Nicole (Turnage). in Vocal Performance from the University of North Carolina at Greensboro.īaritone Joshua Jeremiah is thrilled to be singing, IN PUBLIC, and most especially with the New York City Opera. in Vocal Performance from the University of North Carolina at Chapel Hill and an M.M. Upcoming, Jason will be singing Jaquino in Fidelio with North Carolina Opera. Voix des Artes said of his Young Gypsy, “Karn infused ‘Еще одно, одно лобзанье!’ with ardor and soaring to top C with panache and vocal abandon.” Jason made his New York City Opera debut reprising the roles of the Young Gypsy in Aleko and Beppe in Pagliacci. Jason made a return to Opera Carolina as the Young Gypsy in the North American premiere of Aleko and Beppe in Pagliacci. Jason performed to much acclaim with Theatre Raleigh’s Master Class as Anthony Candolino, Don José in New York City Opera’s Carmen in Bryant Park, and in New York City Opera’s International tour to Dubai and Abu Dhabi. Tenor Jason Karn has impressed critics and audiences alike with his vibrant, bright tone and dramatic characterizations. Memorable roles include Amneris in Aida, Elizabeth Proctor in The Crucible (telecast live on Mezzo TV), Federico García Lorca in Ainadamar, Dinah in Trouble in Tahiti, Secretary in The Consul.

Lisa returned in 2016 as a guest artist in the title role of Carmen.

#Carmen opera mn professional

Roles sung with Opera San Jose include: Isabella in L’Italiana in Algeri, Donna Elvira in Don Giovanni, Hansel in Hansel and Gretel, Maddalena in Rigoletto, Harriet Herriton in the professional premiere of Where Angels Fear to Tread, Suzuki in Madama Butterfly, Meg Page in Falstaff, and Third Lady in Die Zauberflöte. For the 15 season she was a principal resident artist with Opera San Jose. She has been described as possessing a “plush storm of a voice” and for being “a powerhouse vocally and emotionally.” Other recent performances include Dido in Dido and Aeneas, the title role in Carmen, Rosina in Il Barbiere di Siviglia, Fenena in Nabucco, and Madame de Criossy in Dialogues of the Carmelites with Sarasota Opera. Other roles performed with the company include the title role in Dolores Claiborne, Paula in Florencia en el Amazonas, the title role in Carmen, and she was also involved in the Hal Prince production of Candide. Lisa Chavez was most recently seen with NYCO in a “star turn” as Maggie in the premiere of Bell’s Stonewall.